EC-, 17" lower bout, rounded cutaway, 1-3/4" nut width, 25" scale, ~3" body depth, honey blonde finish (nitrocellulose lacquer), carved European spruce top (some finish checking), X-braced, highly flamed carved European maple back and sides, 2-piece highly flamed maple neck, w-b-w-b-w-b-w double-bound body, w-b-w-bound f-holes, w-b-w-b-w-bound 21-fret ebony fingerboard and headstock, pearl block inlays, ebony peghead overlay with abalone "Benedetto" logo and flower, ebony bridge, pickguard, and tailpiece, Benedetto floating pickup, gold Schaller tuners with ebony buttons, volume control on pickguard, fine sound, handcrafted at the Fender® Custom Shop® under Mr. Benedetto's tutelage, approved and signed by Robert Benedetto, with black Geib-style OHSC (brown lining), price reduced (SN:004)
45U-1238
$9,500.00
COLLINGS AT16 CUSTOM ARCHTOP (c.2007)
14 Photos
EC except for repaired cracks (hard to see) on both sides of the top at the waist (result of previous shipping accident), 16-1/4" lower bout, sunburst finish all around, X-braced carved spruce top with f-holes, carved highly flamed maple back, flamed maple rims, 14-fret maple neck, 20-fret ebony fingerboard with dot inlays, adjustable ebony bridge, trapeze tailpiece, ivoroid-b-w-bound body, fretboard and "haircut" headstock, pearl "Collings" headstock logo, Waverly tuners with ivoroid buttons, ebony pickguard with ivoroid binding, 25-5/8" scale, ~3" body depth, 1-3/4" nut width, still a very fine guitar and a real opportunity for a player's bargain, with Geib-style OHSC (green lining) (SN:19)
45U-1372
$5,800.00
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D'ANGELICO EXL-1 EXCEL MODEL (2006)
15 Photos
EC+, gloss transparent wine red finish, rounded cutaway, 17" lower bout, 2-3/4 to 3" edge depth, spruce top with white-bound f-holes, flamed-maple back and sides, white-bound 22-fret rosewood fingerboard with abalone triangle in pearl block inlays, 1-11/16" nut width, ~25-1/2" scale, single floating Kent Armstrong pickup, volume and tone controls mounted on tortoise plastic pickguard, adjustable rosewood bridge, "Excel" headstock inlay, white-bound headstock, fretboard and body back, D'Angelico Stairstep tailpiece, gold hardware, made in South Korea, with black flat-lid wooden OHSC (gray lining) (SN:KS06036042)
45U-1377
$985.00
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EASTMAN AR810CE (2003)
13 Photos
EC-, 17-1/2" lower bout, rounded cutaway, antique violin finish, carved spruce top with bound f-holes, maple sides and carved back, 3-piece maple neck and 22-fret ebony fingerboard, side dot markers only, 1-3/4" nut width, 24-5/8" scale, adjustable ebony bridge, gold trapeze tailpiece and ebony pickguard, antique white-bound body and headstock, b-w-b-w-b-w top and back purfling, gold tuners with stair-step buttons, one floating pickup with pickguard mounted volume control, built in China, with certificate of authenticity, on consignment, with yellow OHSC (burgundy lining) (SN:00390)
45U-1344
$1,575.00
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EPIPHONE TRIUMPH (1942)
20 Photos
VGC except 2 top and 1 back cracks and needs work (glue and cleat cracks, loose heel cap, gap at heel doesn't move so maybe reset neck although action is good, dress frets, loose binding at top/side treble waist, rub out overspray on body, strings, setup, etc. - sold AS-IS)), natural finish (body has been oversprayed lightly but amateurishly) 17-3/16" body, double bound, carved spruce top, tone bar bracing, maple back and sides (back has nice figure), 5 piece maple / rosewood neck, white-bound rosewood fretboard, large slotted diamond inlays, 20 frets, white-bound headstock with pearl logo and floral inlays, enclosed Epi tuners, pickguard missing, replacement tailpiece (broken frequensator is in the case), binding replace on back and part of fingerboard, big sound, built in New York, 1-3/4" nut, 25-1/2" scale, with OHSC (worn, missing handle) (SN:18127)
45U-1301
$1,400.00
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GIBSON L-4 (1942)
14 Photos
VG-EC, here's a great looking war time Gibson, it's been refurbished and plays and looks great, blonde (natural finish), back of headstock refinished, body and neck oversprayed, professionally refretted, carved spruce top with f-holes, tone bar bracing, curly maple back and sides, w-b-w double-bound body, 2-piece maple neck with dark center strip, white-bound 20-fret Brazilian rosewood fingerboard with Nick Lucas style inlays, replacement adjustable bridge with ebony top, trapeze tailpiece (one changed screw), white-bound tortoise plastic pickguard (new mounting hardware), replacement Grover Rotomatic tuners, pearl "Gibson" logo and fleur-de-lis inlay on headstock, 16-1/8" lower bout, 25.4" scale, ~3-1/4" body depth, really nice! With import flat-top Superior HSC (black lining), on consignment (SN:97517 AND F.O.N. 7037H 14)
45U-1358
$3,000.00
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GIBSON L-5 (1925)
20 Photos
EC, 16" lower bout, ~3-3/8" body depth, sunburst finish, carved spruce top with f-holes, figured maple sides and carved back, 2-piece flamed maple neck with snakehead headstock, white-bound 20-fret ebony fingerboard, pearl dot inlays, 1-3/4" nut width, 24-3/4" scale, adjustable ebony bridge, gold trapeze tailpiece, w-b-w-bound body and tortoise plastic pickguard, w-b-w-bound headstock with pearl "The Gibson" and flowerpot inlays, engraved-3-on-a-plate tuners with pearl buttons (small chip in low E and A buttons), nickel silver truss rod cover engraved with original owner's name is included, an absolutely wonderful crack-free example of the immediate post-Loar period, with the requisite excellent sound, includes DeArmond FHCB single coil pickup and archtop mounting bracket, with arched-lid OHSC (green lining, new handle), price reduced (SN:81273 FON 8657)
45U-1106
$29,500.00
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GIBSON L-50 (c.1947)
14 Photos
VG-EC except needs some work (glue 4 top cracks, reseat and dress frets, glue 2 side cracks, clean, setup, etc. - sold AS-IS), sunburst finished solid spruce top with f-holes, 16-1/8" lower bout, ~3-3/8" body depth, tone bar bracing, dark stained maple sides and flamed arched back, chunky maple neck joins body at the 14th fret, 19 fret rosewood fingerboard with pearl dot inlays, adjustable Brazilian rosewood bridge, replacement 30's style trapeze tailpiece, white-bound body, pearl script "Gibson" headstock logo, original 3-on-a-plate tuners, deteriorating tortoise plastic pickguard, 24-3/4" scale, 1-3/4" nut width, with later SSC (blue lining)
45U-1317
$985.00
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GIBSON L-50 (c.1948)
12 Photos
VGC+, sunburst finish, double bound 16" body, arched spruce top, maple sides and (arched) back, mahogany neck, bound rosewood fretboard, trapezoid inlays, 19 frets, adjustable wood bridge, trapeze tailpiece, 3-on-a-plate tuners, b-w-b-w pickguard, nice sound, 1-11/16" nut, 24-3/4" scale, with OHSC (SN:2225 19)
45U-1356
$1,585.00
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GIBSON L-50 (c.1950)
14 Photos
VGC+, double bound 16" body, sunburst finish, solid spruce top, f-holes, tone-bar bracing, mahogany sides and (arched) back, large 14-fret mahogany neck, bound rosewood fretboard, trapezoid inlays, 19 frets, adjustable rosewood bridge, trapeze tailpiece, silkscreened Gibson headstock logo, Kluson tuners with newer buttons, b-w-b-w pickguard, great sound, 1-3/4" nut, 24-3/4" scale, with flat lid HSC (SN:3464)
45U-1352
$1,485.00
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GIBSON L-7 (1952)
15 Photos
VG-EC, natural finish, 17" lower bout, w-b-w double-bound body, carved spruce top, f-holes, tone bar bracing, maple sides and carved back, two-piece maple neck with dark center strip, white-bound 20-fret rosewood fingerboard with pearl double parallelogram inlays, adjustable rosewood bridge, trapeze tailpiece with pointed ends and 3 raised parallelograms, 1-11/16" nut width, ~25-3/8" scale, ~3-3/8" body depth, b-w-b-w McCarty pickguard with two single coil pickups, controls mounted on pickguard, white-bound headstock with pearl "Gibson" logo and crown inlay, individual Kluson Deluxe tuners with single ring keystone buttons, one of 2 non-cutaway L-7's built with 2 pickups in 1952, great time period for sound on Gibson archtops and this one does not disappoint, driver's license or similar number scratched into back of headstock, with brown OHSC (brown interior) (SN:A-11917 / Z368-1)
45U-1359
$3,500.00
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GIBSON SUPER L-5 (1935)
23 Photos
VG-EC, likely THE VERY FIRST SUPER 400 GUITAR, this has a very early 1934 serial number, the label says "Deluxe" at the top and "L-5" for the model, truss rod cover is engraved "Super L-5", very fine example of the 1934 model, with sunburst finish body and neck, 18" lower bout, ~24-7/8" scale length, 1-3/4" nut width, 6-ply w-b-bound X-braced carved spruce top with w-b-w-bound f-holes, 5-ply w-b-bound mottled plastic pickguard, adjustable ebony bridge (no inlays in the base, but seems original), engraved tailpiece with 3 cutouts (original - later production models were engraved "Super 400"), w-b-w-bound curly maple back, b-w purflings on maple sides, curly maple neck (with black centerstripe), heavily engraved riveted Grover open back tuners with butterbean buttons, w-b-w-bound ebony fretboard with split pearl block inlays, 5-ply w-b-bound headstock with pearl script "Gibson" logo and large 5-piece pearl inlay in center, deco-shaped black truss rod cover with white border and white strip diagonally through center engraved "Super L-5", one minor repaired crack in top near bass f-hole, appears to be all original. This is an extraordinary instrument for both its excellent tone and it being the earliest known example of the Super 400 (and the special appointments lead us to believe this was probably the very first - or at least - one in the first batch of this model ever made), also was featured on the great-instruments-showcase "Tone Poems II", by Martin Taylor and David Grisman on track 6 "Anything Goes", on consignment, with '50's Gibson HSC (brown with pink lining) (SN:91809)
45U-1072
$36,500.00
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MCKERRIHAN ANASTASIA (2000)
15 Photos
EC, 17" lower bout, rounded cutaway, vintage cherry sunburst finish all around, carved X-braced spruce top, highly flamed maple back and rims, 3-piece maple neck, 22-fret ebony fingerboard, ivoroid-b-i-b-i-bound headstock with ebony overlay and pearl "McKerrihan" logo, gold Grover Rotomatic tuners with ebony buttons, adjustable ebony bridge, fancy ebony tailpiece, ivoroid-b-i-bound body, fretboard, f-holes and ebony pickguard, Bartolini pickup, volume control mounted on pickguard, 25" scale, 1-11/16" nut width, ~3" body depth, nicely handcrafted by Glen McKerrihan in the U.S.A., signed and dated by Glen, with tweed TKL HSC (brown lining), on consignment - price reduced (SN:1045)
45U-1362
$5,850.00
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THE PREP (c.1941)
17 Photos
VG-EC except needs work (reset neck, reglue back/side seam, glue and dress frets, strings, set up, etc. - sold AS-IS), 15-1/8" lower bout, 3-1/4" to 3-5/8" body depth, sunburst finish all around, top has painted-on white trim, arched solid spruce top with f-holes, maple back and sides and neck (with faux flamed grain), 19 fret ebonized fingerboard with dot inlays, adjustable rosewood bridge, trapeze tailpiece, 3-on-a-plate riveted open-gear tuners with black buttons, black pickguard, ~25-7/8" scale, 1-11/16" nut width, built by Kay for (we think) Sears, hump-top headstock, "THE PREP" silkscreened on front of peghead, with OSSC
45U-1319
$175.00
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Archtop Acoustic Guitars
 other vintage and used categories . . .
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